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DTSTART:20221106T020000
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DTSTART:20230312T020000
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UID:calendar.1843.events_uoft_date.0@www.medieval.utoronto.ca
CREATED:20230331T194203Z
DESCRIPTION:\nWhen and Where: \nMonday, April 24, 2023 10:30 am to 12:30 
 pm \n LI301 \n Lillian Massey \n 125 Queen's Park, 3rd floor \n\nSpeakers
  \nRobert Hillenbrand \n\nDescription: \nTitle:  'What problems does the G
 reat Mongol Shahnama pose?'RSVP required (limited spaces available). Upon 
 registration, participants will receive an email with suggested readings 
 and an opportunity to submit advance questions.Abstract: The Great Mongol 
 Shahnama signaled an extraordinary chapter in the visual culture of Iran. 
 Begun in the 1330s in Tabriz during the reign of the Mongol ruler Abu Sa’i
 d, the manuscript was dismembered and dispersed in the early 20th century
 . The Great Mongol Shahnama is characterized by its large-scale folios and
  unprecedented innovations such as the development of pictorial space, an
  expanded range of emotional expression, experiments in composition and f
 ormat, and a radical approach to colour co-ordination and contrast. This 
 masterclass explores some of the problems that the 58 surviving paintings 
 pose including the manuscript’s identity, reception, styles(s), and the
  artistic milieu of its production. Professor Robert Hillenbrand was educa
 ted at Cambridge and Oxford and has spent most of his career teaching at t
 he University of Edinburgh, with visiting professorships at Princeton, U
 CLA, Bamberg, Leiden, Dartmouth College, New York, Cairo, and Gronin
 gen. He is currently Emeritus Professor of Islamic Art at the University o
 f Edinburgh and Honorary Professor of Islamic Art at the University of St 
 Andrews. His scholarly interests focus on Islamic architecture, painting\
 , and iconography, with particular reference to Iran and early Islamic Sy
 ria. His thirteen books include Imperial Images in Persian Painting; Isla
 mic Art and Architecture (revised and expanded edition, 2021); The Archi
 tecture of Ottoman Jerusalem: An Introduction; the prize-winning Islamic 
 Architecture: Form, Function and Meaning; The Sheikh Zayed Grand Mosque.
  A landmark of modern Islamic architecture; An unknown masterpiece from M
 ongol Iran; Islamic Architecture in North Africa (co-author), The Great 
 Mongol Shahnama and four volumes of his collected articles: Studies in Med
 ieval Islamic Architecture I and II; Studies in the Islamic Arts of the B
 ook; and Studies in the Islamic Decorative Arts. In addition, he has edi
 ted or co-edited thirteen books, published some 200 articles on aspects o
 f Islamic art and architecture, and organised ten conferences.  He has se
 rved as Slade Professor of Art at Cambridge and is a Fellow of the British
  Academy and of the Royal Society of Edinburgh. Recommended Readings (regi
 stered participants will receive .pdf copies in advance): Adamova, A. T.\
 , Medieval Persian Painting: The Evolution of an Artistic Vision, ed. and
  tr. J. M. Rogers (New York, 2008), chapter one. Blair, S., ‘The devel
 opment of the illustrated book in Iran’, Muqarnas 10 (1993), 266–74   Gr
 abar, O. and S. S. Blair, Epic Images and Contemporary History: The Illu
 strations of the Great Mongol Shahnama (Chicago and London, 1980)    Schr
 oeder, E., ‘Ahmed Musa and Shams al-Din: A review of fourteenth-century 
 painting’, Ars Islamica VI/1 (1939), 113–42     \n\nContact Information:
  \n CMS Communications medieval.communications@utoronto.ca \n\nSponsors \n
 Islamic Art and Material Culture Collaborative operates (IAMCC), Centre f
 or Medieval Studies \n125 Queen's Park, 3rd floor \n\nCategories \n Lectu
 res \n\nAudiences \n FacultyGraduate Students
DTSTART;TZID=America/Toronto:20230424T103000
DTEND;TZID=America/Toronto:20230424T123000
LAST-MODIFIED:20230403T131134Z
LOCATION:125 Queen's Park, 3rd floor
SUMMARY:IAMCC Distinguished Lecture
URL;TYPE=URI:https://www.medieval.utoronto.ca/events/iamcc-distinguished-le
 cture
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